The Veiled Lady Bust Statue 19th Century Gothic Sculpture Etsy
The theme of the veiled woman runs through the sculptor's whole career. This version, carved in 1743 during his stay in Rome, aroused the wonder of art-lovers and the general public. The veil, albeit in the elaborate drapery, richly creased and interwoven, is so filmy that it reveals the underlying forms, especially her full breast.
Veiled Lady Bust Sculpture Female Antique Art Statue in Etsy Australia
The Veiled Lady, 1872 Giovanni Maria Benzoni, Italian, 1809-1873; Marble. Overall: 44 1/2 × 16 3/16 × 13 7/8 inches (113 × 41.1 × 35.2 cm). Bostrom, A. "Giovanni Maria Benzoni, Randolph Rogers and the Collecting of Sculpture in Nineteenth-Century Detroit." The Sculpture Journal 4 (2000). Darr, A.P., P. Barnet, A. Boström, C. Avery, et.
Antique Authentic ANTONIO FRILLI Italian Marble Sculpture Veiled Woman Bride NR eBay Italian
The Veiled Virgin is made out of Carrara marble, a material derived from Tuscany and historically used by ancient Roman builders and Italian Renaissance artists. This high-quality marble offered the perfect canvas for carving veils—a sculptural motif that was popular among Strazza and his peers.
Veiled Roman Woman bust/sculpture 3D Printed Etsy Canada
The veiled woman was a popular subject in painting and sculpture during the second half of the 19th century, and Croff's handling of the diaphanous veil coyly reveals as much as it conceals. Purchased in Rome in 1873 by William Wilson Corcoran, the work was prominently featured in the opening exhibition of the Corcoran Gallery of Art in.
Antonio Corradini, Veiled Woman. Sculptures like this have always fascinated me. To this day I
The Bust of a Veiled Woman or Puritas is a marble sculpture created by Corradini. The sculpture depicts a young woman, possibly an allegory of Purity, covered in a veil that seems almost transparent. The sculpture is housed in the Museo del Settecento Veneziano, Ca' Rezzonico, Venice, and is a testament to Corradini's technical virtuosity.
THE VEILED LADY Etsy
1. Veiled lady marble bust (Check out: Marble bust of the veiled lady) This one is the replica of an exquisite 19th century marble sculpture of the Virgin Mary cloaked in a translucent veil with her eyes closed and her head a little tilted down in grief. She is also wearing a floral crown on her head giving the vibes of a guardian angel.
Exploring the History of the the Veiled Virgin Sculpture by Giovanni Strazza
Details Title Veiled Lady Dated c. 1860 Artist Raffaelo Monti Nationality Italian Artist Life 1818-1881 Role Sculptor Gallery G357 Department European Art Dimension 21 1/2 in. (54.61 cm) Credit The Collectors' Group Fund Accession Number
Beautiful veiled mausoleum statue Famous sculptures, Statue, Cemetery statues
The Vestal Virgin Tuccia (Italian: La Vestale Tuccia) or Veiled Woman (Italian: La Velata) is a marble sculpture created in 1743 by Antonio Corradini, a Venetian Rococo sculptor known for his illusory depictions of female allegorical figures covered with veils that reveal the fine details of the forms beneath. The work is housed in the Palazzo Barberini, Rome.
Veiled+Madonna+Veiled+Woman+by+CementArt+on+Etsy Sculpture, Statue, Statuary
The Veiled Woman. Rafaello Monti. 1854 Not on view View more. Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.. The Met's comprehensive collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth.
La historia de la escultura de 'La Virgen velada' de Giovanni Strazza
A veiled Vestal Virgin Raffaelle Monti (1818-1881), marble, 1846-1847 The 6th Duke of Devonshire visited the sculptor's studio in Milan, Italy, on 12 October 1846 on his way to Naples. He ordered the marble sculpture on 18 October, placing a £60 deposit on the following day.
Veiled 19th century sculpture, Sculpture, Veil
overall: 52.71 × 27.94 × 24.13 cm (20 3/4 × 11 × 9 1/2 in.) Credit Line Corcoran Collection (Gift of William Wilson Corcoran) Accession Number 2014.136.265 Artists / Makers Italian 19th Century (sculptor) Giuseppe Croff (sculptor) Italian, 1810 - 1869 Image Use This image is in the public domain. Read our full Open Access policy for images .
Giovanni Battista Lombardi Veiled woman Italian The Metropolitan Museum of Art
The Origins. It's called The Veiled Virgin and it has been carved in Rome by the Italian sculptor Giovanni Strazza. Like the name suggests, it depicts the bust of a veiled Virgin Mary. The date of the statue's completion is unknown, but it was probably in the early 1850s since in 1856 the statue reached Newfoundland in Canada.
Antonio Corradini, Bust of a Veiled Woman (Puritas), 171725. Renaissance, Art Graphique, Art
The Veiled Lady, made around 1860 by Raffaelle Monti, now in the collection of the Minneapolis Institute of Art. By Tim Gihring On October 12, 1846, William Spencer Cavendish dropped by the.
Beautifully Crafted 19thCentury Sculpture Is Covered With A “Transparent” Marble Veil
The Veiled Virgin is the name of a piece of marble sculpture created by Giovanni Strazza, an Italian sculptor. As its name indicates, this sculpture is a bust of the Blessed Virgin Mary wearing a veil. The Veiled Virgin is particularly notable for its fine craftsmanship, as Strazza manages to transform the hard marble into something that reflects the softness and fineness of a real veil.
THE VEILED LADY Etsy Bust sculpture, Sculpture, Marble bust
Title: Veiled woman. Artist: Giovanni Battista Lombardi (Italian, 1823-1880) Date: 1869. Culture: Italian.. The Met's comprehensive collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century.
This is amazing! "Veiled Lady" by Italian sculptor Raffaelo Monti at Minneapolis Institute of
Corradini's Bust of a Veiled Woman is first documented at Ca' Rezzonico in 1889 and it is believed to be part of the original decoration of the palace's great hall (first-floor portego).The bust does not show any visible sign of the mould's parting lines and should thus be regarded as an extremely rare example of Corradini's plaster models.